IndieFilm OS / Field guide 01
Prepare the project before a distribution conversation.
A practical starting point for organizing a film’s story, viewing materials, rights records and availability information.
01
A clear project profile
Keep the project’s core description consistent wherever it appears. A short package often includes:
- A logline and short and extended synopsis.
- Genre, runtime, completion year, country of origin and original language.
- Director, producer, cast and key crew credits, with brief biographies.
02
A viewing and promo package
Have the best available finished materials identified and ready to share when requested. Depending on the project and recipient, that may mean:
- A high-quality final master and a secure viewing copy or screener.
- A trailer, accurate captions or subtitles, and a music cue sheet.
- High-resolution stills, key art, and an electronic press kit if available.
Ask for the recipient’s current video, audio, caption and artwork specifications before making delivery versions; formats and technical limits can differ.
03
Rights and supporting records
Filmmakers commonly organize records that help explain who controls the relevant rights and permissions, where applicable. Examples include:
- Agreements relating to the screenplay or other underlying source material.
- Cast, crew, location and appearance releases, as relevant to the production.
- Licenses or permissions for music, archival footage, artwork and other third-party material.
Keep the records accurate and tied to the uses they authorize. Which documents are needed depends on the project and deal; get qualified legal advice for rights questions.
04
Availability and handoff details
Prepare a concise note with the project facts a recipient may ask to confirm:
- Languages, territories and rights currently available for discussion.
- Existing commitments or restrictions that affect availability.
- A reliable project contact and an inventory of the files you are sharing.
Confirm availability details with the people authorized to speak for the project before sending them.
Recipient-specific examples
Filmhub’s published guides show one distributor’s categories for submission and supporting documents. They are examples for Filmhub, not requirements for every distributor.